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Cultural Events   • • Film

Tuesday, March 6
12:30 & 4pm

Le Diable probablement

The Devil Probably

French Seventies:
Cinema After May ’68

CinémaTuesdays March 2007

The 1970s saw the rise of a generation of post-New Wave directors who proposed dynamic responses to questions about society, nation and the future of cinema. Curated by Jean-Michel Frodon of the celebrated French film magazine Les Cahiers du Cinéma, this series is produced in conjunction with the Center for the Humanities at the Graduate Center of the City University of New York. 

Films are in French with English subtitles

Florence Gould Hall, 55 East 59 Street

Members Free* / $2 advance tickets
General Public $9
Students w/ ID $7

*Pick up free ticket on the day of event at the Box Office by presenting membership card
Box Office: Tue 11am-7pm, Wed-Fri 12-7pm, Sat 12-4pm

Special Offer: Present your CinémaTuesdays ticket stub & receive a 15% discount on your bill at Bistro 60 (37 E 60th Street). Valid only on date printed on ticket stub.

Jean-Michel Frodon's interview with The Reeler
The City's Other Rendez-Vous: Cahiers du Cinema editor Frodon flashes back to the '70s with program in NYC
By Aaron Hillis (March 4, 2007)
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The Devil Probably

Tuesday, March 6 at 12:30 & 4pm 

Le Diable probablement  (The Devil Probably)

Robert Bresson, 1977
With Antoine Monnier, Tina Irissari
Color. 95 min. In French with English subtitles

Centered on a group of young Parisians, this film charts the disenchantment of a 20-year-old who rejects the compromises of elders and peers in favor of commitment to doubt, resistance and self-destruction.

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Related Events:
Monday, March 5, 6:30pm
Opening Night Event at The Graduate Center, CUNY
After ’68: French Film, History and Politics in the 1970s
Tuesday, March 6, 7pm
CinéTalk with Benoît Jacquot & Jean-Michel Frodon
 
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Tuesday, March 13 at 12:30 & 7pm

La Gueule Ouverte  (The Mouth Agape)

Maurice Pialat, 1974
With Hubert Deschamps, Monique Mélinand

Color. 82 min. In French with English subtitles

A moving and occasionally funny story of a middle-aged woman dying of cancer, and how this affects her husband and son. Pialat’s third semi-autobiographical feature.

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Joël Bion
© Sunchild Productions / Photofest Inc.

Tuesday, March 13 at 4 & 9pm

L’assassin musicien  (The Musician Killer)

Benoît Jacquot, 1976
With Joël Bion, Anna Karina

Color. 124 min. In French with English subtitles

Jacquot’s first feature focuses on an ambitious young violin player who moves to Paris from the provinces and refuses to make a living.

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Themroc

Special Monday Screening
Monday, March 19 at 12:30 & 6:30pm

Themroc

Claude Faraldo, 1973
With Michel Piccoli, Béatrice Romand

Color. 110 min. In French with English subtitles

After a falling out with his employer, a house painter decides to rebel against society and convinces his neighborhood to follow him.

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Passe montagne

Special Monday Screening
Double Bill
Monday, March 19 at 4 & 9pm

Octopus de Natura

Marie-Christine Questerbert, 1972
B&W. 10 min. In French with English subtitles

A single ten-minute shot of various events which spring up, evolve from and disintegrate into the landscape of the Southern Alps.

Passe montagne  (Mountain Pass)

Jean-François Stévenin, 1978
With Jean-François Stévenin, Jacques Villeret

Color. 108 min. In French with English subtitles

After his car breaks down in the middle of nowhere, Georges enlists the help of small-town mechanic Serge. Their uneasy relationship lies at the heart of this perceptive character study.

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Molière

Special Friday Screening
Friday, March 23 at 7pm

Molière

Ariane Mnouchkine, 1978
With Philippe Caubère, Marie-Françoise Audellent

Color. 260 min. In French with English subtitles

The life and death of the greatest comic playwright of the French classical tradition by one of France’s finest contemporary stage directors.

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Le Pont du Nord

Tuesday, March 27 at 12:30, 4 & 6:30pm

Le Pont du Nord

Jacques Rivette, 1982

With Bulle Ogier, Pascale Ogier

Color. 129 min. In French with English subtitles

A sixties radical is released from prison and meets a moped-riding female Don Quixote. The two get wrapped up in a plot by shadowy figures bent on world domination.

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Jean-Pierre Léaud, Bernadette Lafont and Françoise Lebrun
© New Yorker Films / Photofest Inc.

Tuesday, March 27 at 9pm

La Maman et la putain  (The Mother and The Whore)

Jean Eustache, 1973
With Jean-Pierre Léaud, Bernadette Lafont

B&W. 210 min. In French with English subtitles

Eustache’s epic vision of sour relationships, linguistic vampirism and bad times in the City of Light.

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Program and dates are subject to change.

Curated by Marie Losier with the collaboration of Jean-Michel Frodon and Sam Di Iorio.

Film programs of the French Institute Alliance Française are made possible in part with public funds from the New York State Council on the Arts, a State agency.

Special thanks to the Cultural Services of the French Embassy and the French Ministry of Foreign Affairs.
American Airlines is the official airline of the French Institute Alliance Française.

©2008 French Institute Alliance Française, 22 East 60th Street, NYC

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